The Door and Other Uncanny Tales by Dmetri Kakmi Release Blast, Excerpt & Giveaway!

The Door and Other Uncanny Tales

Author: Dmetri Kakmi

Publisher: NineStar Press

Release Date: September 28, 2020

Heat Level: 1 – No Sex

Pairing: No Romance

Length: 46800

Genre: Horror, LGBTQIA+, sci-fi/fantasy, paranormal, horror, family-drama, crime gay, lesbian, demisexual, asexual, art/visual, ghost, body horror, prostitution, murder, abortionist, ancient evil

Add to Goodreads

Synopsis

Living paintings, spectral children, cannibal serial killers, lost souls, haunted houses, and ancient evil proliferate The Door and Other Uncanny Tales. Everywhere reality and fantasy collapse to create a new unstable world, even the body is not what it seems. Combined with Dmetri Kakmi’s gothic imagination and mordant humor, the result is fiction that is as memorable as it is unsettling.

This collection contains three new and three previously published stories, including the acclaimed Haunting Matilda, The Long Lonely Road and The Boy by the Gate.

Excerpt

The Door and Other Uncanny Tales, Dmetri Kakmi © 2020, All Rights Reserved

The Door: Chapter One
“There now,” Orestes said, standing back to admire the painting.

It hung before him from a sturdy hook on the landing of the staircase leading from the darker downstairs part of the house to the lighter upstairs, with rows of small windows and the French doors that opened on a balcony, overlooking narrow Transom Street. This had been after all, in other times, an industrial area, filled with factories, abattoirs, noise, and the stench of hard labor in the shadow of the nearby Convent of the Good Shepherd, by the river. Now the suburb was gentrified and provided accommodation for the likes of himself, Orestes Gallanos, and his partner Simon Cole, artists both, living the inner-city dream in lofty warehouse spaces.

“There now,” Orestes repeated, casting an eye over the artwork he had labored upon for almost five months, in the garage turned studio with its stuffy air and bad light. He folded his arms across a narrow chest, tilted his head to the side, and stepped back to admire the results of his efforts. Not too far back because the hardwood landing was small and he risked falling down the steps to the polished concrete floor below.

It was a splendid work, even if he thought so himself. Very effective. It achieved exactly the outcome he aimed to produce in its creation all along.

It was a door painted with oil on linen. A life-size door, seven feet in height and three feet wide, with an old-fashioned handle that gave off a pleasing brass gleam. The square frosted glass panel above complemented two vertical panels below, and he had found that working with oil allowed him to capture perfectly the desired grain and texture of wood.

He descended the stairs and studied the painting from the entrance hall. From there, should a guest visit, the painting looked like a real door, complete with architrave and wooden step to complete the illusion. Only Orestes knew that, if he should by a miracle manage to open it, there would be nothing on the other side except plasterboard. A guest ascending the stairs and brushing by the painting would assume it was a real door, leading to, presumably, a newly built room on the other side.

At that moment, the front door opened behind Orestes and Simon came in, bringing with him a cold gust of July wind. His hair was cut short and newly dyed blond to accentuate the navy in his deep-set eyes.

“Hello,” Simon said, removing the black plastic raincoat and hanging it with a sprinkle of rainwater on the coat rack. “Why are you in the dark?”

It was four-thirty in the afternoon and almost pitch-black in the hallway. Orestes pointed wordlessly at the painting; a smile played on his lips.

“Oh,” Simon uttered, coming to stand beside him. “It’s terrific. It really is.” He gave Orestes a peck on the proffered cheek. “Congratulations. Are you pleased?”

“I think so…” Orestes cupped his chin and stared at his work for a while.

Simon stepped forward, rested both forearms on the staircase handrail, and gazed at the painting with a contented sigh. Orestes bathed in the way Simon was always so genuinely enthusiastic and encouraging about his work. It gave him confidence, made him feel he was worthwhile after all.

The electric light from upstairs streamed down and fell on the painting with intensity, making it resemble a well-lit stage, set for a play.

“Any moment now the door will open,” Orestes whispered behind Simon, “and the actors will step forward to pronounce the made-up lines meant for made-up lives.”

Simon’s smile was warm when he said, “That’s what I was thinking.” Then he caught the expression on Orestes’s face. “Something’s bothering you.”

“I wondered if I should have the door slightly open.”

Simon was also a painter, of a more esoteric order, and, although slightly younger than Orestes, had strong opinions on this sort of thing.

“No,” he cried, shaking his head and glancing at the painting as if he might have to fight for its right to remain as it was. “That’d be overemphasizing it. Glass is a kind of opening for one’s perceptions even though one’s body remains shut out.”

Orestes considered. “You’re right,” he said finally. “Glass lets your eye enter the other side, but only partially, since it’s not clear glass.”

“Oh, baby,” Simon cried, coming up to Orestes and catching his wiry form in his arms. “This can be the centerpiece for a series of trompe l’oeil for your next exhibition. Imagine a whole room!” Simon twirled happily around the floor with Orestes in his arms, smiling and pressing him to his body. The room spun with them, the glass bricks of the bathroom at one end and the darkness of the garage-studio at the other. “This calls for a celebration.”

“There’s a bottle of Taittinger in the fridge,” Orestes offered.

They went upstairs. Orestes popped the champagne bottle and poured the amber liquid in tall crystal flutes inherited from Simon’s mother, Orestes’s side being poorer and lacking in luxuries and good taste. After watching Laura with Gene Tierney for the umpteenth time, they made quiet, habitual love on the couch and much later still, after watching Farewell, My Lovely for the sixth time, they crossed to the bedroom and slept soundly in their double bed, behind an elaborate wooden Japanese screen.

In the long winter’s night, the building settled with a sigh around them. It resolved its sound angles and determined lines into a world filled with peculiar, shifting disturbances, some fleeting and others lasting, deep in the mortar and concrete of the century-old foundations. The last train raced by unnoticed on the raised tracks a block away, the procession of near-empty windows piercing the night like accusations. In the early hours of the morning, when traffic slowed on nearby Hoddle Street, only the icy wind was left to prowl the empty streets. It slid past the grille pulled over the sturdy front entrance, passed through the barely discernible crack under the door, and set out feelers toward the stairs, from there to reach the painted door with the frosted glass panel and the glistening doorknob. The painting showed faint in the cold silver of a night-light left on halfway down the stairs. If there was anyone at the top of the stairs at that hour, one would have been forgiven for thinking the door looked forlorn on the landing, where people pass but rarely stop. An invitation.

Purchase

NineStar Press | Books2Read Universal Link

Meet the Author

Dmetri Kakmi was born in Turkey to Greek parents. His fictionalized memoir Mother Land was shortlisted for the New South Wales Premier’s Literary Awards in Australia; and is published in England and Turkey. Dmetri also edited the acclaimed children’s anthology When We Were Young. His essays and short stories appear in anthologies. He lives in Melbourne, Australia.

Website | eMail | Instagram

Giveaway

a Rafflecopter giveaway

Blog Button 2

The Island by M. Rose Flores Release Blast, Excerpt & Giveaway!

The Island

Series: Abnormal/Variant, Book Two

Author: M. Rose Flores

Publisher: NineStar Press

Release Date: May 4, 2020

Heat Level: 1 – No Sex

Pairing: Female/Female

Length: 86300

Genre: Horror/Thriller, LGBTQIA+, YA, PNR, bisexual, dark, horror, zombies/undead, postapocalyptic, family drama, found family, San Francisco, Alcatraz

Add to Goodreads

Synopsis

Two years after the end of the world, Cate and Marco have finally found a place for their people to start over. Sustainable and safe from zombies, the island is everything they hoped it would be. It seems the worst may finally be over; they can stop surviving and begin to live again. But the arrival of two new people sets in motion a chain of events that throw the island into unrest, and Cate must fight for her love, her people, and her sense of self. Can the inhabitants of Alcatraz Island find a way to come together when everything around them is falling apart?

Almost two years before their arrival on the island, just after the event that ripped their family apart, Marco began an aimless journey. With his foster family gone—some dead, some vanished—once again, Marco was on his own and sure it was for the best; other people only slowed you down, ended up as liabilities, or worse. Alone was good. It was what he was used to. But on his journey south, he collected other wanderers and began to consider the idea of a cooperative group or, maybe, a found family. There was, after all, safety in numbers.

Finally, together on the island, everyone assumes they are safe. But assumptions in a world run by zombies can be dangerous. Deadly. There is something going on in the city, terrifying and unnatural. Something that will change everything they think they know about zombies. And it’s coming to the island.

The Island is not a stand-alone. It’s advised that book one, The End, be read first.

Excerpt

The Island
M. Rose Flores © 2020
All Rights Reserved

Cate

Those are not people. The way they move, the fact that when we wave, they don’t wave back, and the way they are all shambling toward us down the paths to either side. It all collectively spells zombie.

“Hello,” calls Calvin.

No answer. Damn it.

None of us has the energy to fight any more. We spent the whole night fighting to get to the island. We watched our people get maimed and die; Calvin’s Nana Mae sacrificed herself to save him, my sister Mel, and their new babies. Five other people died too, though I didn’t know any of them well. They were all Marco’s people. Now we’re all one another’s people. What a way to make a family.

Toby is looking pale. His younger brother Jax, though much smaller than Toby, is doing his best to keep him upright. The place where Toby’s hand used to be, before it was clawed by an Abnormal zombie and then cut off by me to prevent infection, is wrapped in a bandage from what I’m guessing is a very limited supply. I think everything is probably limited. There wasn’t much time to pack or prepare after Mel’s labor screams drew in the horde last night. It’s not her fault. Birthing twins with nothing stronger than ibuprofen must be agony. But we had to leave in a hurry. We made it all the way to Alcatraz, barely. And now, apparently, we have to fight again.

I’m too exhausted to cry. We are broken, for the second time since this all started. It’s cold and drizzling. There’s a thick fog rolling in. At least it isn’t dark anymore.

“What do we do?” asks Sylvia, holding her kids close to her body.

“Same thing we’ve been doing,” answers Marco.

When he doesn’t offer anything else, Calvin steps in. “We should get the injured and the kids somewhere safe, right?”

Marco nods.

“They’re still far enough we can probably slip by them on that road—” Calvin points to the right. “—and come back out once you’re all safe inside. Shouldn’t take long to clear the island; there don’t seem to be many here.”

“It’s a big island,” says Marco. “There will be a lot more up there than you think.”

“Can’t say I’ll be much use,” says Captain Jacob, stepping forward through the group. He’s cradling his arm. I can guess what comes next: He edges his sleeve up, wincing, to reveal a definite bite near his elbow. The veins around it are black, all the way up and down his arm, peeking over the collar of his shirt.

“Captain,” breathes Amy, our doctor, “why didn’t you say something?”

“Call me Jacob; I told you. I knew it wouldn’t do any good. Happened so fast. Had to get us here either way.”

Amy examines the wound, touches his arm where the veins disappear under his sleeve. “There’s no way this hasn’t reached a main vessel by now,” she says, feeling his face for fever and shaking her head. “I’m so sorry, Jacob.”

“I appreciate it, Amy. But there’s no need. I’ll have to show someone how to drive the ferry. Murray?”

“Of course, Jacob.”

“It has been an honor to know all of you,” Jacob says. “Marco, you take care of these people. You got us this far. Soon you’ll all be safe.”

“I’m sorry, Jacob,” says Marco, who looks on the verge of tears.

“Don’t be. I did my part. I can live with the result. Or, I guess I can’t.” He chuckles at his own dark joke, but it turns into a coughing fit that makes his whole body tremble. “Come on, now, Murray. We haven’t got all day.”

Murray follows Jacob, catching him as he stumbles getting back on the boat. Jacob looks back and lifts a hand in goodbye to all of us. He doesn’t have long. Another family member lost, claimed by the infection.

“We should go,” says Ana, ever the stoic. “They’re getting closer.”

We move up the wider path as quickly as we can, although every one of us is exhausted and several of us are in some way incapacitated, so we’re not as fast as we need to be. The path switches back and forth as it ascends.

“Stay together,” Calvin whispers as the first few zombies notice us.

We do as we did last night, shuffling the less capable into the middle of our huddle as we move. However, now, so many more of us can’t fight than can. When the zombies get to us, we are less efficient than we have ever been. It takes me two hits to take down one zombie, even though I sharpened my axe the other day, and I have to put my boot on its head to get the axe back. I haven’t had to do that in ages. Calvin gets one on the first try, but it takes him a second to pull his knife free. Somehow, we escape. But just up the path, more swarm toward us. Not many, but there are always more.

Purchase

NineStar Press | Amazon | Smashwords | Kobo

Meet the Author

M. Rose Flores has enjoyed writing since she learned how to string letters together. She grew up in the vast green Pacific Northwest of the United States, which with its dense forests, four seasons, and proximity to the ocean made a perfect setting for The End. When she isn’t writing on her computer or in a notebook (though scraps of paper and the palm of her hand will do in a pinch), she works as a professional dog trainer and loves every part of it, even the copious amounts of drool. She believes everyone should be represented in literature and all other media. The End is her first novel.

Facebook | Twitter

Giveaway

a Rafflecopter giveaway

Blog Button 2

Impact Flash Fiction Anthology Blog Tour, J. Scott Coatsworth Guest Post, Excerpt & Giveaway!

Impact Flash Fiction Banner

Hi guys, we have Queer Sci Fi’s Annual Flash Fiction Contest popping in today with the tour for their new release Anthology Impact, we have a brilliant guest post from J. Scott Coatsworth about writing Flash Fiction, some great snippets from a selection of the stories and a $25 Amazon GC giveaway, so check out the post, enjoy Scott’s post and then enter the giveaway! ❤ ~Pixie~

Impact

(Queer Sci Fi’s Annual Flash Fiction Contest 04)
by

Queer Sci Fi

IM * PACT
(noun)

1) One object colliding with another

2) An impinging of something upon something else

3) An influence or effect on something or someone

4) The force of a new idea, concept, technology or ideology

Four definitions to inspire writers around the world, and an unlimited number of possible stories to tell, but only 110 made the final cut.

A difficult choice to be made. An object hurtling recklessly through space. A new invention that will change the world. So many things can impact a life, a society, or a planet.

Impact features 300 word speculative fiction ficlets from across the queer spectrum from the minds of the writers of Queer Sci Fi.

Welcome to Impact.

Series Blurb:

It’s hard to tell a story in just 300 words. Each year we ask writers to take the challenge, turning in stories across the queer spectrum. The rules are simple. Write a complete sci fi, fantasy, paranormal or horror story, include LGBTIQA characters, and do it all with just 300 carefully chosen words.

This book contains 110 stories of 300 words or less each.

Continue reading “Impact Flash Fiction Anthology Blog Tour, J. Scott Coatsworth Guest Post, Excerpt & Giveaway!”

Impact Flash Fiction Anthology Cover Reveal, Snippets & Giveaway!

Hi guys, we have Queer Sci Fi’s Annual Flash Fiction Contest Anthology Impact popping in today to show off it’s wonderful cover, we also have snippets from a selection of the stories and a $25 Amazon GC giveaway, so check out the cover, enjoy the teasers and then enter the giveaway! ❤ ~Pixie~

Impact

(Queer Sci Fi’s Annual Flash Fiction Contest 04)
by

Queer Sci Fi

IM * PACT
(noun)

1) One object colliding with another

2) An impinging of something upon something else

3) An influence or effect on something or someone

4) The force of a new idea, concept, technology or ideology

Four definitions to inspire writers around the world, and an unlimited number of possible stories to tell, but only 110 made the final cut.

A difficult choice to be made. An object hurtling recklessly through space. A new invention that will change the world. So many things can impact a life, a society, or a planet.

Impact features 300 word speculative fiction ficlets from across the queer spectrum from the minds of the writers of Queer Sci Fi.

Welcome to Impact.

Series Blurb:

It’s hard to tell a story in just 300 words. Each year we ask writers to take the challenge, turning in stories across the queer spectrum. The rules are simple. Write a complete sci fi, fantasy, paranormal or horror story, include LGBTIQA characters, and do it all with just 300 carefully chosen words.

This book contains 110 stories of 300 words or less each.

Release date: 25th July 2018
Pre-order:
 Amazon US | Amazon UK | B&N | iTunes | KoboAngus & Robertson

Continue reading “Impact Flash Fiction Anthology Cover Reveal, Snippets & Giveaway!”